Heartland: The Agbogbloshie Story

There comes a time in life where during the search for inspiration you find the very thing you were least expecting that changes your outlook forever. This is what photographer Kevin McElvaney and I share. I stumbled upon his striking visual story of the people of Agbogbloshie in Accra, Ghana a year ago and was completely floored. The people of this region are currently undergoing immense effects of the processing, burning, and dumping of electronic waste from all over the world. Their land has become a primary location for all of the old iphone, TVs, ect that are no longer of any use to us. As a result, e-waste is emmitted into the land, atmosphere, and water which produce alarming health risks to the inhabitants. Kevin's ability to capture the rawness of the people in the midst of their deplorable situation was masterful. After research and mustering up my confidence to reach out (which took a year's time mind you lol) I was thrilled to learn that the mind behind this piece was willing to open up about his journey and how his story is fostering global support to make a difference for the people of this village. For more information on how to do your part as well, read on......


What inspired you to pick Agbogbloshie as your focal point despite all the other areas you could’ve chosen in Accra?

Agbogbloshie just fit perfectly into my projects I want to work on in future. As a young photographer I try and want to work on projects, which I also want to work on in future. Agbogbloshie and the e-waste problem is one of them. At first the scenery you see in Agbogbloshie caught my eye, so I began to work on specific ideas, stories and pictures. After I made my research I realised, that this is such an important topic and I had to photograph it: its an ethical, socio-economical and environmental disaster. So after knowing all this I contacted local and was planning my trip. I wanted to come back with more portraits and personal stories, instead of describing the vicious-cycles and the illegal dumping again. Thats why most pictures show the boys, girls and men in the center of the pictures and I came back with small stories about all of them.


What message would you like this story to speak on to the masses?

I tried to put the person and individual in the center of each picture. I don´t like it, if a person in such a poverty scenery is just a symbol for the poorness and conditions. Too much info is missing in such a picture. Thats why all people in the photos look into your eyes and staged in the center of the pictures. I also wanted to know exactly the conditions and circumstances of each individual: where do they come from? why do they (have to) come here? what do they expect? future plans? and so on. I am able to tell you a story about everyone of them and thats also the main heart of an Exhibition I created about Agbogbloshie - which is available to everyone, everywhere by the way.

I hope people also see the proud, beauty and power in each picture, because even if these people live under bad conditions we shouldn´t display them in a bad and disadvantageous way.


What reaction did the people give to you once you began to shoot them? Were they open to your camera?

I think I worked a bit different then other photographers before. I went straight through them and asked questions first, get to know them and after a while I asked them to be part in the picture. No one was forced and no one was photographed without his notice, which is clear by eye-contact and the standing on a case/ monitor I think. There was just one guy, who denied my call. He had a wound near his eye, which was looking pretty bad and he didn´t like the idea that people look at him with that - so for me this argument was absolutely understandable. All the other ones seemed very interested to me and respected that I asked them first. Most of them just see a photographer from a few meters, who takes a random shot an leaves. I also gave everyone a Polaroid Picture, what they really liked.


You’ve had the opportunity to capture people from all over the world in such a raw way. Who are your best subjects?

The best pictures result from real stories I guess. Often photojournalist are not allowed to show a strong interaction and relation between them and the subject, but I like that. People should see, that I´m not invisible and in the middle of something. If people allow me to do that, thats special to me and it happens almost everywhere. None of these people are models, so they don´t act that much and show themselves after a few minutes. So the best subjects are those, who don´t pose and let me enter their world, thoughts and allow me to capture it.


Please let us know more about the Pure Earth Benefit Ball and the efforts to raise money for the people of Agbogbloshie.

The reasons why I´m joining the Pure Earth Benefit Ball are diverse. At first I (accidentally) met their local partners those days in Accra and know their work. Another one is, that the US is a big exporter of these unfunctionable electronic goods and its important to raise the awareness about this fact. I denied to raise money for Agbogbloshie for a long time and for example don´t collect money with my Exhibition, because in the long run we can´t solve a problem somewhere else, if we produce it in our own countries and export it = we should make sure that we recycle our e-waste and that just usable electronic goods get shipped to Africa, because just that is what they need!

So I´m just interested in a long-term solution on a political and international level. But this Pure Earth Benefit Ball could be a start and another signal to change things quickly. On top of that less risky solutions for a proper recycling in Agbogbloshie and other places are barely needed. If there are good solutions in Agbogbloshie we could also use them somewhere else and a main problem is that African Countries don´t have recycling and don´t know how to deal with it. But again: the long-term solution should be a different one. We have to do our homework and stop these exports in our harbours.


How can people or become involved in helping as well?

My best advice is to reduce your own consumption of electronic goods. We don´t need a new smartphone and laptop every year and its quite easy to understand, that if we don´t produce problems, we don´t have to solve them. Its crazy that we know about the risks and consequences, but in the end still produce them. So I guess this is one thing we can change in our everyday life-decisions to make a difference. Besides that we should learn to repair and reuse again, should buy quality (long-life) products, which are more sustainable and make sure, that we give these products at the end of their lifespan to authorised scrap courtyards. By doing this, we automatically show manufacturers and politicians, that its more important to act in such a way and can introduce a change.

CompoZer Spotlight: Ndidikanma Emefiele

Very rarely do I get startstruck. However, I have been completely captivated by the artistry of Ndidikanma Emefiele! I am so gracious that she has allowed us to get to know her! She is one of West Africa's freshest sensations and is definitely putting Delta State (Nigeria) on the map. Ndidi gave us the opportunity to speak with her about her journey and training as an artist and even how she feels about social media in conjunction with her brand. 

Give us a few sentences on your professional background and/or training.

I am developing my practice both in the studio and in my academic pursuit. I'm currently running a master of fine arts at Slade in University College London. I do have some exhibitions lined up so I keep working basically, I love making arts. Immersing myself in the intriguing world of art it's informing and transforming. Its beauty worth engulfing oneself in.


When was it that you truly started to take your creative talents seriously?

Seriously was quite early. It was when I began participating in local art completions, realizing making art was something I didn't grow tired of doing, even at my lows. I was truly passionate about it and it was imperative so I sought to pursue it long term. Emerging top place at the most prestigious art competition in the federal capital territory when I was in my last year in secondary school sort of solidified my reason and was the confirmation for my parents to pledge their full support.


What are your origins/roots? Are you a Nigerian? From which state?

I'm 100% Nigerian. My both parents are from delta state.


Of all the places (studios) your art has been shown, which one would you say is your favorite? Why?

Hmmm.. that would be most recently at Woburn, which is the research and development centre at Slade. Where I had a painting of a woman's naked body covered with a transparent floating tulle skirt pinned to the floor by tubes of paint. It certainly wasn't my usual way of displaying my work, I had always stuck to the conventional. Being at Slade is definitely challenging some of those notions and ways of doing so I will be trying a bunch of things in the coming months.


You have such a unique aesthetic and a lot of your paintings give such a realistic but abstract depiction of women. Are you inspired by any particular person to create these images?

I'm inspired by real experiences, often I employ themes of fantasy derived from facts in questioning the representation of women in diverse context. As a woman interaction with other women enables you to see from different perspectives on the pressures women are often confronted with the social, cultural to religious, often very constricting and raising questions of identity, enslavement, empowerment . I like to use images, collages and forms to reframe the image of the woman.


How much influence do you think Africa gives the entire art world from photography, sculpture, painting, ect?

Africa plays a major role. African arts has an immeasurable depth, it spans through centuries unaccounted for,imbedded with history and cultures of a people so dynamic it has been a resource and inspiration of artist of old including the great Picasso.in fashion as well, it has been a good resource.african and tribal prints is currently the biggest thing on the runway,brands like Burberry, Galliano and so many others have incorporated that into their designs. Some of the most iconic photographs of national geographic were taken in Africa. You wouldn't find culture so rich and diverse else where. Nigeria alone boast 250 ethic groups. Africa has an enormous reserve from which you can continuously draw and has long served as an inspiration.


What message could you give a budding artist or any creative wanting to truly pursue their craft?

l'd say let your passion for it motivate you, it should be the driving force. A fellow artist given a talk once said "if you struggle to make art,then stop it. Find something it else to do".let your art be a true representation of you and your ideas. It should be self expressed. A lot of younger artist fall into the boat of trying to paint like some one else or making copy arts. Let others inspire you as you find you.


Are you a fan of social media? How do you feel it can hurt or help get your art out there for people to view? 

Social media has been instrumental in building and breaking careers. Although more of the positive I should think. It's an awareness tool ,and I cant say I have used it effectively in projecting my works. I'm a little old school and there's just too many social media platforms to keep out with. You are not done trying figure out how one works and it gets overtaken by another and unto the next. I'm active on Facebook as that was the first I got onto. Partially active on whatsapp, dormant on Instagram, still can't figure twitter out. I think social media is as good as you use it.

Me getting my life in front of an original at Nike Art Gallery, Lagos

Me getting my life in front of an original at Nike Art Gallery, Lagos


What is your definition of a composer? Do you feel you are one in your own right?

Well, may be now that you put it that way. I have never thought to consider making in relationship to composing. I have thought of my studio as the fitting room, a lab and many other things.thats where it all comes together. Perharps if one consumes or engages with the art as music then may be the artist becomes the composer. I remain an artist though.


#PaintWhereItAint

I had the joy of hanging out with the cool kids of #exhibitbe at Workshop Houston in my neighborhood of Third Ward. The crew is doing a 6-day road trip documentary where they collaborate with local artist on various projects. Check out some photos from the Houston pitstop where they worked alongside Ms. Dre Price! Stay tuned for the final documentary coming soon....

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IG: @exhibit_be